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Once confirmation has been received that your payment has been successful from your chosen payment method provider, then we can process your order and send your email containing your unique code and instructions on how to download the software from the Supplier.
When completing the checkout, please make sure that your email address is accurate so that we can get this to you as quickly as possible.
14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
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Key Features
Audiomodern Opacity Kontakt Library is a boutique, cinematic guitar collection with over 5GB of pristine sounds and samples with a whole host of genre-defying loops, sequences and chords. From rich, atmospheric sequences to lead licks and phrases; Opacity is a must-have for any music producer or composer. Performed by renowned guitarist and composer - Justin Hodges of Terre Grande; Opacity provides you with a powerful engine specifically tailored for composition with 14 complete sessions and three variations to choose from.
Please Note: This product comes in the form of a digital download code that will be sent to your email for activation.
Product Ref: 217833
The beating heart of Opacity is a powerful sound engine designed to optimise your workflow whilst offering stunning sound quality. The simple and intuitive interface is neatly arranged for easy navigation with two separate sections for the sounds and effects. The engine is comprised of 14 complete sessions with three variations to choose from. Specially designed to aid in composition, the versatile engine offers in-depth editing with the ability to incorporate different guitar parts and tonal elements to achieve something unique to you.
Each of the sessions features four groups of loop performances as well as the ability to sift through tonal elements including Chords, Phrases, Sequences and Melodic Textures. Each of the sessions is labeled with its corresponding BPM and key, making it easy to drag and drop into your productions. You can mix and match between any of the sessions and switch between the various sections and variations for countless combinations.
Opening the cabinet window allows you to choose from up to 12 varying guitar cabinet simulations. Each cabinet simulation is linked to each of the four effect groups so you can sculpt and shape your sound to suit your needs. This also means you can have a different cabinet for each effect group for added flexibility.
Process your sequences and sessions using the built-in, studio-grade effects. There are multiple adjustable parameters for Space, Delay, Chorus, Stutter, Crush, Drive, Panning and Filters. It even features a cutting-edge convolution reverb engine to create massive atmospheres and rich soundscapes.
Designed to give you full creative freedom, Opacity provides you with a range of ways to interact with the sessions and loops. You can select a variety of beautiful patterns, emotive licks, phrases and lush chords. Designed for use with Native Instruments Kontakt, Opacity comes NKS-ready, allowing you to work with all the guitar sounds via your Komplete Kontrol keyboard or Maschine with deep integration. From your NI controller, you can access snapshots and custom map control knobs.
